Tuesday, August 18, 2009

Arcana REVIEW-- Feretian String


We encourage readers to submit reviews of exhibitions. Our Saminaka resident, Feretian String, is a Tarot reader--although Tarot is not African, many African-Americans have used it for divination. And divination in other forms is has long been a vital activity in many African cultures.


"Arcana" is a sculptural excursion into the world of Tarot. Based loosely on the 78 card Rider-Waite-Smith (RWS) Tarot, it portrays the twenty-two Major Arcana (or trumps) of a traditional deck.

Originally a Renaissance trump-taking card game, the first Tarot decks were hand-drawn; later ones were printed from large woodcuts that might hold up to thirty images on one piece of wood. The "pips" or numbered cards were the forerunners of our modern playing cards. The trumps are thought to have represented archetypical characters that appeared in frequent Italian parades of the time. At some unknown point in time, someone began to use the cards for divination.

A few examples of early decks survive in fragile print sheets, woodblocks, and crumbling ancient cards. Modern artists have restored and recreated as many of these early images as possible with the sparse remains.
The Rider-Waite-Smith (RWS) Tarot is arguably the most important influence on the reemergence of card divination. Conceived by Arthur Edward Waite, the paintings were a commission to illustrator Pamela Coleman Smith, who received a pittance for the work. Waite supplied the meanings and symbols for each card, but Smith also researched and developed visual interpretations of her own. The resulting Tarot was published in 1909 to small acclaim, but its reissue in the seventies spawned a new generation of Tarot readers. Most modern readers learned the skill using a RWS, and many still favor it over the hundreds of beautiful decks created during the last few decades.

The modern Tarot community is extensive and international. A quick search turns up several established Tarot societies and forums. A search for Pamela Coleman Smith results in extensive scholarly attempts to recreate her life and works. Within the Tarot community, Smith has posthumously received the recognition and admiration she deserves.

"Arcana" is a Majors-only collaborative Tarot project. The artistic director of the project, Pixels Sideways, chose a unified theme for the entire deck; in this case, the procession of the Major Arcana "is a natural theme in and of itself -- it is rife with symbolism and therefore wide open to interpretation. The artists were left free and open with some technical caveats, and each artist also received an artist build package that had a description of their card which I pulled off wikipedia -- but they could -- and many did -- do further research. Some of the artists were also very familiar with the Tarot.

"When I selected the artists I didn't want to have them pick the cards so I had the cards pick them! I wrote the names of the cards on little bits of paper and put them in the magic zip-loc baggie. As each artist committed to the project I'd think about that artist and draw a card from the bag."

Pixels chose to "die" on her Death card for the camera.


I found "Arcana" in the "Showcase" feature in Search. I teleported to a large open arena where signs briefly described the Tarot, and directed me to a teleport to the first card, the Fool. The Fool's journey through the subsequent cards describes the journey we take through life with its attendant lessons and challenges. I was encouraged to ascend the dais and "claim" my crown for the journey. A complete set of images from RWS radiated from the central dais. The Fool's traveling bag, a stick-and-kerchief affair containing elements of the Tarot suits, hung suspended in the center. A fox labeled "pet me for wisdom" yielded a notecard detailing the Fool in different aspects and interpretations, symbology, and further discussion of the Journey.

Card number one (the Fool is zero) is the Magician, wonderfully playful and rich in texture and layer. Directed to touch a podium for its magic, I found myself looking at myself in full Magician pose among the tools of his trade. Truly magic, and a huge boost to the ego.
Temperance is elegantly scripted and visually intriguing. Polished wood, molten steel, glass and crystal, smokey daguerrotypes, midnight walls, were all in graceful movement or sudden appearance.
The image of Judgement is the angel Gabriel trumpeting the call to rise up and take stock of one's life; a new beginning not without its consequences. In White Lebed's version, the horns are enormous ivory ribs arching overhead and sweeping below, the bells forming a gauntlet of sorts. A stylized figure at the end seemed bowed by forces above and around it, yet struggling to remain upright. Difficult to understand this figure until I moved round it and it came into clear focus!
"My work is usually semi-abstract. I remove all visual things that are not necessary for the message so there's no texture or scripts unless the shape can't deliver the content."
White's is a clear, precise vision, presented in a conservative post-modern style.
Strength is often depicted as a serene woman gently closing the jaws of a lion. Feather Boas' s vignette gives a sense of uninterrupted power, a force not to be set aside easily. Steel pistons and gears, glowing lions flanking the woman's gaze, swirls of light festoon the viewer.

"I constructed an environment made of girders and gears, a factory of steel and steam; some broken parts showing vulnerability. The woman represents strength, resolve, beauty and fragilty. Strength can be gained and strength can be lost; under every strong person can be found a fragile, vulnerable person..."
Cards are sometimes shuffled in a manner that makes some cards appear upside down. Called a "reversal", its meaning changes to an opposite or to a strengthening of the original meaning. I was certain I was seeing a reversal when I arrived in the neon fury of Justice. It slams the senses after the relative calm of the previous cards, which now seem dignified and sedate. The RWS image of Justice is superimposed on a glowing chartreuse floor. Advertising balloons scream "Justice for f---ing Free!" to either side of a monolith collage of dollars, mid century protesters, soldiers, and more advertisements. The pull down menu offers mildly pornographic suggestions, which become angry and graphic descriptions when chosen.


Some cards followed fairly closely to the RWS. The High Priestess towered over me, pillars flanking, her secret knowledge just out of my reach. The Tower card, crackling with lightning, offered a veiled glimpse of a beating heart at its core. The Chariot was deep dull gray, heading towards a rock outcrop; seen through a framed glass, the scene took on a carmine glow. The World had elements of Victorian steampunk...a Kepler-esque planetarium enclosing the glowing world, surrounded by soft rich scarlet walls.
Although I could not discern the meaning intended in all of the cards, every one was executed with artistic skill and virtual expertise. Many contained a welcome undercurrent of humor (essential to a good deck) without compromising its intention.
The exhibit is arranged in tiers within a huge auditorium. Having to operate a teleporter between each card was disruptive to the Journey, and the translucent paths and ramps were also distracting. I fell near-fatal distances several times while walking around the exhibits. On the other hand, seeing all the cards floating above and below was fun. I would love to see a permanent installation where a reader could literally walk a querent through a reading!




























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Oliha will be back this week, but not in time for today’s column deadline! He will have plenty of tales to tell you about his long visit to Nigeria, but I’m going to preempt him and tell you one. Let’s call it the Case of the Devious Driver.




For those of you who haven’t traveled there, Nigerian driving has to be seen to be believed. For decades there’s been no speed limit; if there’s one now, it’s honored in the breach. Most cars on the open road are doing 120 km/hr. What is that, about 80 mph? Drivers are often highly skilled, but take huge risks. Think Italy x four, then add to the mix cars and heavy lorries whose brakes aren’t working, or drivers willing to take the wrong side of the road just to cut out tortoise-like cars in a traffic holdup.


Most Americans wouldn’t think of driving in urban Nigerian conditions. Oliha doesn’t plan on it either, but he did plan on getting a driver’s license. After all, a second form of ID is handy; you don’t always want to take your passport with you to the grocery store. What’s the Nigerian driver’s test like, you say? Ah, my dear—which kine question be dat? Make you wan kill me? Oliha used “long leg”; that is, with contacts and a willingness to grease the wheels only a little, no test was necessary! Not that should be particularly worrisome to anyone on the road in his case--Oliha knows how to drive, after all, and knows enough not to want to do so in Nigeria!


Like most big men, he's had a professional driver to take him round. He treated him well, only to find out his trust had been abused. Giving the driver dollars to exchange—because you have to be cautious about doing such things yourself, since it’s hard to know who’s watching you, making assumptions that the roll of Kleenex in your pocket is actually a roll of hundred dollar bills. The driver was AWOL for a few days, and Oliha’s host supplied a stand-in. The new fellow returned from currency exchange with a much fatter wad of banknotes, and his predecessor’s skimming was exposed.


A brouhaha resulted, naturally enough, and was neatly sorted out; shame, the fear of God, and specific measures dealt with the miscreant, who will be paying the money back in installments. It is always refreshing to me to hear of how such cases can be settled. The household discusses the matter thoroughly, a traditional man and his friends or colleagues consult, and justice is meted out, an example being set.



Is there a potential for abuse? Sure! As there is by the police, or MPs, etc. But there is also an opportunity to show wisdom and to do so without abrogating one’s authority and waiting weeks or months for a petty case to come to trial. Being a traditional ruler, a chief, or a head of household involves training in people management and Solomonic decisions, and they are frequently accomplished with elegant dispatch.


I will let Oliha tell you more of the “trial” in a future column, with his own commentary on justice (which in this case included the seizing of a new cell phone, shoes, and other goods). And while we wait for him to do so, please ask yourself if you could be an arbiter of justice—and how far would mercy temper it?




--Tamsin Barzane

HAWKING IN THE MARKET--SAMINAKA COMMERCIAL NEWS



***Rebranding is occuring bit by bit in all Tamsin Barzane's stores. While they will keep their individual African-inspired directions (cacao as a couture boutique, Cinnamon Brigade for traditional African wear, Tropicality for more casual, sexy outfits), they are all coming under the cacao umbrella, part of the cacao group of companies. This means not only a photography update, but the addition of new prim attachments at skirt and trouser bottoms, etc. Keep checking back! Sales are on with some old items now, and after all the upgrading takes place, new items will be introduced, too!




***A head's up--Adire has never fully been developed as a store--it contains some Yoruba and Yoruba Diaspora items, but not a full range. The art will go back to the art stores. By next week, Adire will be a specialized clothing store catering to followers of the orisha. Everyday devotional dress? We'll have it? Full ritual attire in your orisha's colors, with accessories included? Look no further! And you'll be able to walk through the back of the store into Oliha Yiwama's office, and from there into our Olokun shrine, also in place by next week!




***Keep that head up!!! With Oliha and his entrepreneurial spirit due back, things will be hopping! Expect to hear of all kinds of new ventures at Saminaka!


Cinnamon Brigade is reloading! Little by little, our traditional African clothes are being reworked with prim attachements and other changes. "Masculine in Minna" is a man's caftan with matching trousers; the lower part of the caftan and the lower pants legs are now prims, so the textures aren't distorted. The outfit has simple embroidery around the neck, and comes with a stiff cap and one in a floppy Yoruba style. See at: http://slurl.com/secondlife/Saminaka/121/177/31/31

WETIN BE DAT? Pidgin English phrase of the week

Dat babe be one ITK!


That girl is "I too know"--a knowitall

MY PEOPLE SAY--NIGERIAN PROVERB OF THE WEEK

"Money for hand, back for ground"


Like a sensible prostitute, get paid in advance in uncontrolled circumstances.


Tues., Aug. 18, 6 pm SLT. Weekly meeting of Egbe Akowe Writers Group at the new Slates, Scrolls & Sticks, Saminaka's library cum bookstore. Join the group and receive its missives by hitting the Subscribe-o-Matic (it doesn't add to group count) at the meeting location. http://slurl.com/secondlife/Saminaka/174/194/30 or the Manatee Lookout Palm Wine Joint on Tarkwa Beach. This week we're doing a storytelling exercise!


Monday, August 10, 2009

ROUNDUP--ISSUE 10

Features on SL Shoe Fair, Michael Jackson and other non-African African chiefs, Nigerian musician Lagbaja, and columns on Saminaka happenings!

Stepping Out to the SL Shoe Fair


I’ve been mulling over events, since this weekend I went to the SL shoe fair. Shoe Fair, you say? Never heard of it! And I nearly didn’t as well. I happened to be on when two group members of Vain were asking for an LM, and joined the clamor for one, despite one Vainer’s remark that she had heard it was “pretty lame”—a foot, but not shoe-related pun, let me point out. I bristled with indignation—well, I don’t have an animation for that, but did so internally—why put something down if you haven’t seen it yourself?—and hopped right over when the LM arrived (because Vainers have EVERYTHING in their capacious inventories and memories).

Well, she was right. Having visited the Hair Fair for an earlier issue, one difference was clear—there were only a handful of avis there Saturday evening. I stopped by again the next morning—I was alone. No buzz was being generated, that was clear—or, as one friend suggested, they may have crowded the place on Thursday and Friday.

Also missing was a sense of theme or fun. The event took place on a sim that acts like a virtual convention center, and everyone’s booth was a uniform size and type, elegant as booths go, but much of a muchness. A sharp contrast to Hair Fair’s Candyland theme, which was both a navigation system (with its path), a chuckle-inducer (I still have my low-lag meringue wig), and a way to let the vendors express a sense of personality.

Most heavy hitters weren’t there. No Moody, no Minx. Relatively few of the new prim toe models I’m eager to make without sufficient HUD knowledge. And not a single men’s shoe that I could see, except unisex sneakers—that just seems wrong! (I was in male form, having just shot some vendor signs for Cacao, and did a rare sneak-out without changing back into myself, so that may have magnified my indignation). It did introduce me to a few unknown stores whose products interested me, like Enkythings, Diva's and Bax.


There were more boots than shoes, and several fetish shoes that made me think SL’s large dom/sub population might find a trip worthwhile. Some of the vinyl and gleaming leather textures throughout the booths were really quite impressive, as if some virtual shoeshine booth had been hard at work.

Shoe Fair was actually very small, with only 18 booths acting as shoe boxes. Many empty booths remained in the convention center, suggesting the entrance fee was either high, the merchant contact rate was low, or some other factor mitigated against participation—again, a far cry from the full sim of Hair Fair. Perhaps it had to do with prim count? Displays were ads, rather than actual footwear—though that has never stopped me from buying.

Perhaps charitable endeavors helped boost Hair Fair? One or more or all of most vendors’ booths had a “Locks for Life” item, with profits donated to the charity. Or perhaps it was simply too short, being an extended weekend affair, rather than Hair Fair’s full week and a little extension due to some SL glitches.


I’m thinking of having two kinds of events in the early fall, and though I have no illusions that it will draw thousands, I’d like to reach respectable numbers. Groups are a great way to reach people, depending on the kind of event, but I haven’t heard much good about SL publicists—and I have no idea how to interest the Lindens into posting an event at sign-in time, though I imagine big-time charity involvement or intriguing CSI-like publicity are key. There’s an SL forum for discussion of promotion, so I’d better start reading.

But I’m feeling for Shoe Fair and its worn-down sole. What happened? Somebody did some hard work trying to organize and their efforts were kicked to the curb. That shoes—one of SL’s biggest sellers!—couldn’t draw visitors is a thought to sober the most enthusiastic event promoter. Write and tell me about your event triumphs and horrors, please!

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UNDER THE MANGO TREE--Tamsin Barzane


When Michael Jackson died, Americans (and people all over the world) recalled different Michaels, from the adorable 5 year old professional to the acned, self-conscious teenager, the pale transformed Michael to the masked man heading to court or dancing across a stage. I remembered some of these, too, but my thoughts turned to a slightly different Michael: Chief Michael.

Yes, on a visit to West Africa on tour in 1992(Michael's first trip to Africa occured when he was 14), several community rulers in Ghana and the Ivory Coast awarded him chieftaincy titles. The Agni people of Ivory Coast's Lagoon Akan region enstooled him in the town of Krinjabo. I remember the continental criticisms that he held his nose when he stepped off the plane at Abidjan, as if smelling something bad, and ignored the VIPs--but he was nonetheless lauded.

He sat on the gold-foiled stool of leadership in Krinjabo, and the black velvet crown-band ornamented with gold was placed on his head, his body wrapped in kente cloth. He became, formally at least, a chief of the king of Sanwi, Nana Amon Ndoufou, who later visited him in Los Angeles while he was married to Lisa Marie Presley. Two days of funeral ceremonies were recently held at Sanwi in his honor.

In 2006, Jay-Z was made a chief in Ilorin, the northernmost Yoruba kingdom in Nigeria. Ilorin's monarchy was taken over by the Fulani in the 19th century, and its Muslim rulers "turban" chiefs rather than crowning them. Jay-Z looked rather resplendent and right at home.

The Jigga, the Hova was there not as a performer, but as the special UN envoy for the Water for Life project--but Kwara State citizens certainly know his music! The Emir of Ilorin gave him the title "Sarkin Waka" and he was dressed not as a chief, but as an emir himself--velvet embroidered cloak, gauze headgear and all. Like other Northern Nigerian rulers and chiefs, he mounted a decorated horse and, elevated, rode through town. Ilorin named a street in his honor.
The meaning of the title "chief" varies from one part of Africa to another. To groups that have kings, like the Edo, the Yoruba, the Nupe or the Ashanti, a chief is a titled man who aids the king. In small-scale societies, like many of those in Sierra Leone, the chief may be the community leader.
Egalitarian societies like the Igbo use the title to signify someone whose has made significant contributions and is recognized as having high society, but has no political role.

Honorary chieftaincies are common is some societies, rare in others. Usually an honorary chief is a high-profile foreigner (which means outside the community, not just outside the country), who is honored by being lauded and brought into the "family." Some are famous figures like Akon, whose family is Senegalese, but was made a chief in Liberia last year. Not all are as well-known, and not all have such strong genetic ties to Africa.

Lynne Symonds of Britain's Norfolk, is the chief of the Mampreusi of the Wulugu community in northern Ghana, a title awarded because of her help to the region. She started by organizing a book project to be sent to this region, one with lesser educational development. A library was established, as was a girls' educational center; health and farm information was distributed. Lynne's fellow Norfolkers have raised over 100,000 pounds (as well as in-kind items) for Wulugu since the project began a decade ago.

The Kalabari Ijo gave long-time resident Robin Horton, an internationally-renowned anthropologist, a chieftaincy that is not just honorary. He has belonged to the community for many decades, married into it and participated as fully as someone born there.

And our very own Oliha Yiwama, who has a Saminaka title, has a Northern Edo title as well. Exploring traditional African medicine and divination in Nigeria for over twelve years, he became a chief in an Ishan/Esan village, an honor and responsibility he takes seriously. His emblems of chieftaincy--the ada and eben ceremonial swords, the coral beads, and protective materials--are with him in Nigeria and in his home state of Ohio, a proud symbol of his African American heritage and his accomplishments across the seas.

Bringing fame, assistance, and other services to one's community are honored in Africa, no matter one's birthplace. And if honor comes with obligation, well--it usually does!


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These are introductory prices--no telling if they'll last more than a month! Get em while you can! This is our TENTH ISSUE, and we're up to 758 readers! That's nearly a hundred more than last week-- and our readers come from all over the world. WE GROW DAILY!!