Monday, June 29, 2009

ANCIENT ETHIOPIA IN SL--Tamsin Barzane


It takes geological change to make real continents grow, but virtual ones are faster. I am happy to report that the SL continent of Africa is swelling in its specificity—a Virtual Ethiopia called Enda Brukh has joined Saminaka (Nigeria), Virtual Africa (South Africa), Africa (Malawi/Zambia/Zimbabwe). AbaBrukh (“Aba” means “father,” while “Brukh” means “blessed”) Aabye has recreated not only some traditional stone structures of today’s Ethiopia, but has reached far back into the past to reconstruct part of an early historical palace.


AbaBrukh Aabye’s love and interest in Eritrea and Ethiopia goes back nearly forty years. “I was in the Army during the Vietnam era,” he said, “and got sent to DLI-WC, the Defense Language Institute in Monterey California, to learn Arabic for a year. At the end, I was sent to Asmara, then in Ethiopia, now in Eritrea; the US had a communications base there. I had studied archaeology at the University of Pennsylvania, so I was in heaven. I connected with the Ethiopian Institute of Archaeology, and took part in several important excavations.”


He stayed even after his stint in the service was over, but after about five years had to leave, for the political situation was heating up—this was not long before the revolution that unseated Emperor Haile Selaissie.


Although his plans for grad school in archaeology were derailed, SL has given him the opportunity to present some of his research findings to a wide audience in a lively, inviting way. “I've always wanted to do something to make people more aware of the wonderful history and archaeology of Ethiopia and Eritrea,” AbaBrukh says. “I did a lot of drawings, started scanning my huge collection of photos and slides.”



AbaBrukh discovered SL through NPR, where he formerly worked. A mother who was an artist and an engineer father had long ago developed his visual skills, and his entry into SL made building inevitable. “Finally I could make a 3D restoration of a site that is just a ruin, and make it livable!” he said.


He entered SL in Spring of 2007, and estimates it took him about a year and a half before he began constructing. He has two 1024 parcels, and hopes to acquire a third. They are located within a two-sim recreation of an ancient Roman city, since Axum (also spelled Aksum) was a kingdom that traded substantially with Rome. This environment is an attractive one—no concerns of jarring Jetson-like towers or overnight malls. Wintry snows may be out of keeping with Ethiopia when the sim gets seasonal, but that is not too heavy a price to pay.


AbaBrukh reminds visitors that ancient Axum and much of modern Eritrea and Ethiopia have a culture that mixes African and Semitic threads through language, religion and other aspects. “The palace dates from the 4th century, the height of Aksum's power,” he says. “Aksum grew from a pre-existing culture of traders and warriors that developed in the Abyssinian highlands. They spoke a Semitic language, probably native to the region, not borrowed from South Arabia, as was once thought, but related to those in southern Arabia. The cultures were also related, and tied by commerce, art and architecture, and language.” Only the Red Sea separates Ethiopia from Yemen and other Middle Eastern regions.


AbaBrukh Aabye notes, “Aksum grew very powerful by trading frankincense and spices to Rome and the Mediterranean world--and very wealthy. They controlled trade in both items.” He points out this dominance put them in a position “much like the oil states are today.” Besides these items, they also led international trade in ivory and exotic animals, as well as African gold. To consolidate their mercantile powers, they destroyed their Kushite Nubian rivals to the north, centered at Meroe.


Axum began to grow at the outset of the Christian era and maintained its position for several centuries, trading with Rome and Byzantium. AbaBrukh observes, “The Emperor Ezana decided that to stay in the good graces of newly Christanized Rome, he needed to make the same move, so in the 4th century, he made Christianity the official religion.” The Roman Emperor Constantine had legalized Christianity that same century, so its official recognition occurred at about the same time in both African and Europe.


Axum marked the graves of its kings with the tallest monolithic monuments in history, taller than Egyptian obliesks. These burial vaults must have been amazing repositories of grave goods, but were thoroughly looted in ancient times. AbaBrukh plans to use a megaprim to erect at least one in Enda Brukh.


Before it was Christian, ancient Ethiopia had a Judaic presence, as well as polytheistic religion. Ethiopia still has a strong belief that the Biblical Queen of Sheba, whom they call Makeda, was their daughter. Her union with King Solomon produced Menelik I, who brought the Ark of the Covenant from across the Red Sea, and founded a pre-Axum dynasty.


A stele just outside the palace once stood near its real-life counterpart at the important Eritrean site known as Metera or Matara. “Unfortunately,” AbaBrukh says, “During the 2000 war, Ethiopian troops camped in the site. Lacking other entertainment, they blew up this oldest example of the modern alphabet common to the two countries. The inscription survived, but all below was shattered.” Written Ge’ez (today only a liturgical language), has an imposing yet graceful character.


The palace itself is beautifully textured, its small stones showing the area’s expertise in making mortarless walls. AbaBrukh notes, “I’ve watched villagers using the same building techniques that date back to Aksum and earlier, and, as you can see from the palace, they did build multi-story buildings.” The palace section currently has two stories, but a third is planned.








Another new direction will be an even older site. AbaBrukh’s avatar seemed excited at the thought of it! It’s “a temple that is at least 2500 years old now, the walls still stand almost intact. It’s from the kingdom of Da'amat that preceded Aksum.”


The authenticity of AbaBrukh’s builds shine in every detail, as does its exquisite beauty. Its vegetation, its weaver birds--even the haystack on the room of its modern Tigray village house (so goats won’t get to it)—all add to the atmosphere. Photos and slide shows of Ethiopia provide more information, as do the specifics a guided tour can provide. He noted that a well-off villager reserves the upstairs for entertaining, while the ground floor is for the family and animals. Beer jars, skins and carpets are in the appropriate spots.


The ancient palace has an audience hall and other chambers, and includes imported Roman furniture appropriate to its wealthy rulers. Its crossed spears and shields served as an ancient Aksumite and Ethiopian symbol of authority. AbaBrukh points out that the palaces had plumbing of sorts, and may have included baths modeled after those of the Romans. “The hot tub,” he admits, “Is an anachronism.”


This fabulous site deserves more traffic, for it hasn’t yet received much publicity. Please visit and learn about an early African world few know about yet. And don’t forget the stele that acts as an offering point—AbaBrukh has knowledge and passion enough for a whole sim, if donations can get him there. He deserves that canvas, and so do we.

Visit ancient Ethiopia at Enda Brukh here: http://http//slurl.com/secondlife/Locus%20Amoenus/201/27/29

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UNDER THE MANGO TREE--Tamsin Barzane


As a big fan of hair (and what SL female isn’t?), I had an interest in this year’s Hair Fair, but had been lagging…um, DRAGGING…my feet because of lag concerns. However, it had been open a week and it wasn’t bad at all yesterday, early on a Sunday morning. By late morning, though, it was like moving through molasses.


Molasses—a clever metaphor! For the sim was decked out in a Candyland theme, the lawns sprinkled with gumdrops and Starlight peppermints, the sellers ensconced in individually decorated gingerbread and confectionary cottages. I felt like Gretel (minus the blond braids), and started to salivate before hair vendors had even rezzed. Most cleverly, there was a chocolate path to follow that wended its way throughout the isle, so you could rest assured you didn’t miss anything.


My mission? Well, dear readers, to see what diaspora-inspired hair there might be for your consumption. With over 130 sellers taking part in this fourth annual event, there had to be loads of head-turners.


I found some of interest, but also noticed some things that intrigued, puzzled and even disturbed me. A few of my favorite hair places weren’t there, such as Mirai. Well, no surprise—there are a thousand and one coiffeurs on SL, and no island could hold them all. Many vendors were taking advantage of the size-to-fit script, making life easier for the expansion-and-rotation challenged, and others exploited color/texture changing HUDS for a plethora of options. The sponsored island was giving to its own favored charity, Locks for Life, with participants earmarking particular styles that donated 50 or even 100% of their profits to the agency. But the aspect that baffled me was that very few of the hair models on this packed sim were diaspora faces—or Asian faces, for that matter.


Diaspora ladies MAKE their hair versatile (is that India Arie and Akon I hear singing in the background? Sing out!), so any style will work for them, yet in a real world where black models have been top runway and Vogue sellers since the 1970s, SL is lagging in more ways than one. Let me be charitable—maybe hairsellers take all their hair photos on variations of themselves in different skins. If so, wouldn’t a little variety make them shine?


Alas, I think this has nothing to do with overt racism, but with the more insidious invisibility issue—if it doesn’t look like me it doesn’t really exist. Or, “since I never noticed that black women frequently wear their hair straight in rl, I never thought of putting them in that cute asymmetric short style!” Oh, Rihanna, step in here!


Well, that is a question to be revisited in future. We have hair to consider!


I’m not bothering with the general styles, which anyone can wear (though don’t forget, there are a number of freebies to be had), but instead am focusing on the more diasporic hair. My own hair, for the duration of my visit, was abandoned. I had followed the sim’s coaxing to wear the official lag-reducing coiffure and outfit (if all wear the same thing, the servers have less work and things move more swiftly), and was attired in an attractive whipped cream dollop. Though I did look delicious, I WAS THE ONLY AVATAR WEARING THIS ATTIRE! And, I might add, the only one hopping along in the awkward non-AO gait. Ah, the valiant sacrifices I make for you readers.


Well, diasporic hair was somewhat limited. There were relatively few big curly styles that caught my eye, though a few, such as Bishwear’s Billie or Jolie Femme’s Bella III, were present.






Booperfunk had some fun styles (you know I have been a HUGE fan of their bouncing braids since I came on SL), and I was happy to see new favorite Discord Designs with several cute styles displayed, including the Matrix’s Niobe, as well as a short dread twist style for men that I wore anyway. They thoughtfully included some men’s facial hair variations as well. (Men in general got fairly short shrift at the Fair, aside from some dreads, tails and Mohawks—no surprise).



















Sari’s flowered lock updos were adorable, and I am going to rush out and buy them all! Even when called for a Midnight Mania in my huge-sign-on-my-head demo, the Sari Hanami Dreads were exciting requests for an LM. Her coifs come with adorable decorations, but can also be worn plain.



















A few other interesting dreadlock variations were available, including a fabulous free and lovely “Fatima II Dreads Updo” set that “grew” over time (with three lengths—and a color HUD for contented play!) at Zen. Another favorite was a Steampunk set that included tiny light bulbs in its gathered masses, and made me feel inventive, a little messy, and incredibly creative. At 400L, it was one of the more expensive coiffures, but I’m slapping it down later this week.


















Interesting plaits were scarce on the ground. BishWear had Laramie, a wispy style with just a few beaded braids at the temple—decidedly different and softly appealing, like real hair after a stiff breeze. Discord had a discounted dollarbie plaited to the head called DeShaun for men that looks good.

I also liked the wired braid Mui style from Sparkle Skye Designs, which reminded me of some Nigerian heads, though it was their flaring Naima updo that brought that country’s creativity forcefully back to me! One friend spent a morning having her plaiter create a style using attachments (sorry-o! . . .extensions) that resulted in a fantasy brimmed “hair hat” for a special occasion, and this one reminded me of a combination of that type of hairdo combined with a traditional Mangbetu style. I’d love to see more styles that use plaited styles as a jumping off point—if any wigmakers need some inspiration, IM me!



The thought of fantasy was what I really enjoyed at the Fair—except I wished there had been more, as well as more of Steampunk/Goth, and more historic, vintage, and ethnic styles.









I couldn’t resist demos that made Tam into a pincushion, like The Stringer Mausoleum and Shrine’s “Pincushion”, or Vanity Fair’s whimsical gel-stiffened standup Herma curls—imaginative and perfect for a high style look.



Even better were two completely fanciful styles by Tekali-li that featured the underwater Scylla style (but where was Charybdis? Must check the store!) in tones referred to as “starfish,” “leather” and “metallic,” with scripted tentacle textures. Undine was also great—both came with multiple purchasing possibilities, including fat packs that allowed 74 textures, 77 tints, and hair ornament color changes. Don’t miss his treasure chest with a freebie scripted style called Nixie—much fun.


The hair fair has been extended till July 6, so try it early in the morning. The Locks of Love fundraising is a good reason to buy any of these styles at the Fair itself, but, if you’re like me, you’re curious to see what else these designers have on their home turf. Because when I start tearing my hair out, I like to have plenty in the closet!

See the Hair Fair at http://slurl.com/secondlife/Beta%20Business%20Park/128/128/23

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Ads! We have an initial special offer for you, whether you are shopkeepers or classified customers! Remember you can advertise your shop, feature an item, or try to sell a transferable item. If your ad has a photo, it costs more. There are discounts for extended runs of the same ad, and lesser discounts if you have constant ads, but they vary from week to week. YOU CAN ALSO USE THIS VENUE TO ADVERTISE RL OBJECTS AND SERVICES; LIST YOUR EBAY OR OTHER SITE AND REACH OUR CUSTOMERS (Tamsin Barzane will never reveal your rl identity to readers). All ad payments are in-world and in lindens. Ads for the coming week should be submitted by noon SLT Wednesday.

Single ad, no photo, one week. maximum 5 Blogger lines: 50L
Single ad, photo, one week. Text maximum 5 Blogger lines: 100L
Single ad recurring, no photo, one month (4 issues). Text maximum 5 Blogger lines: 175L
Single ad recurring, photo, one month (4 issues). Text maximum 5 Blogger lines: 325L
Single ad changing week-to-week, no photo, one month (4 issues). Text maximum 5 Blogger lines. 180L
Single ad changing week-to-week, photo, one month (4 issues). Text maximum 5 Blogger lines. 425L

If you want longer text, more than one photo, or a longer ad run, prices will be adjusted. Contact Tamsin Barzane through inworld notecard or at tbarzane@gmail.com

These are introductory prices--no telling if they'll last more than a month! Get em while you can! After a month we'll have some readership statistics for you.

FROM THE SUITCASE--Oliha Yiwama

Oliha safely arrived in Nigeria and is the toast of the town! He delivered a paper in rl and was interviewed by numerous newspapers! Will we be able to keep him in SL when he comes back? He's been running from pillar to post, but supposedly will soon have access to the Internet by cable, with no need of a cybercafe! ooolala!

While we're waiting for his dispatches, I have several cooling tips from the memories he's aroused of power interruptions. The power company, NEPA (locally read as "Never Expect Power Again") frequently switches off the lights, so forget the fan, talk less of ac. When heat is intense, you have to adjust. If it's safe enough, sleep outside or (depending on your house type) on the roof--of course, mosquitoes are then free to dive bomb you.

I outsmarted them once by heading outside in shorts, but swathed in a huge piece of fine turquoise tulle (like a bridal veil), held in place by a wide-brimmed hat. Within, I shared my mosquito-free space with a book and a booklight, and enjoyed myself thoroughly. By next day, however, I heard some odd rumors floating about--I forgot the apartment building next door could look down into the yard--and what an odd sight they saw!

If the room is too hot and you toss and turn, you throw water over your head till your hair is soaked, and sprinkle some on the sheets as well. That can give a bit of respite.

Hope Oliha isn't suffering that hard!

--Tamsin Barzane

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HAWKING IN THE MARKET--SAMINAKA COMMERCIAL NEWS


***Cinnamon Brigade will rain five new pairs of shoes on the virtual world this coming week! Will debut them through Fashion Consolidated, and let you small business owners who have been considering it know how much of an impact it has!


***Saminaka will soon have a new combo library/bookshop. Our first publication is out, over by the Middle Passage Experience, and consists of the bound slide show presentation about the Middle Passage. Soon a version of last week's Olaudah Equiano lecture will be published as well. Each at the modest price of 50L, in a handy Hippobook.


***New small stalls at small prices (with small prim allowances) will still be up soon--great for vendors! We'd love a hair vendor, particularly, so if you have a friend...


***The Compass's circulation keeps growing! We were at 98 last week, and now--163 minutes ago! A happy increase--tell your friends!

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WETIN BE DAT? Pidgin English phrase of the week

Which kine pikin go waka like dat? Shebi she be ashewo?
Which kind of a child goes about carelessly in public? Is she a prostitute?

MY PEOPLE SAY--NIGERIAN PROVERB OF THE WEEK

"When two elephants fight, the grass gets trampled" -- Nigerian English
When two important people quarrel, stay out of the way! It's the little ones who get caught up in the trouble that lose out!

THIS WEEK IN SAMINAKA--JUNE 29 to JULY 5


TUESDAY JUNE 30 at 5:30 pm SLT & 6:30 SLT. As the Middle Passage Experience draws to a close (though we are extending it a little longer), we are going to have a once-only GUIDED tour, so you can be sure you don't miss anything. It starts at 5:30 with Tamsin (the beach infohub has a Teleport to the tour's beginning), and will end up at Safe Haven Haven Landing with Indea Vaher. Immediately afterward (at about 6:30 or maybe a little sooner) Acuminous Watanabe will facilitate a discussion of how reenacting this tragic historical exodus affected participants. Were you too reluctant to do it? Did the sight of the Door of No Return make you cringe? Did the thought of manacles clench your stomach? You were not alone. Talk it out. Acu is a fabulous counselor, and you will find yourself processing and gaining a sense of healing.


The tour is going to be filmed by Winn Wellman, as well as by a news crew from Treet.TV for their program "Designing Worlds"--exciting indeed!


A box holding all the before and after stories of the ten African lives explored in the Experience is now available at Saminaka for free.



SATURDAY, JULY 4 at 5 pm SLT. An envoy from the American Embassy (tee-hee) will set off firecrackers for a rollicking good time down by the Manatee Lookout. Fireworks? Of course! They are likely to spook the manatee, but she'll settle down.

Monday, June 22, 2009

THINKING ABOUT THE MIDDLE PASSAGE... Tamsin Barzane

Well, the Middle Passage Experience has been up for a little more than a week now, and this exploration of the African side of the transAtlantic slave trade is making me think. Its visitors are substantial in number, but they can't compare to the treasure hunt that just ended. Those who come often return, but many put themselves on pause, promising they'll do it "later."
Why? It's just too painful! Depersonalizing the slave trade was a convenience for textbook writers, but it also makes life a little easier for all of us by shoving history further into the closet. Who wants to think about the pain their ancestors went through, whether it be the Middle Passage, the Holocaust, the Armenian Massacre, or those who suffered various indignities because of poverty or wrong affiliations throughout the world? It certainly can't be classified as entertainment.
That's what I thought myself a few years ago, when I visited DC's Holocaust Museum. Not entertainment--and why do we human beings put ourselves through associated experiences in real life--and even pay to do so! The Holocaust Museum was so popular that we waited outside for well over an hour to get in, just in order to weep. Well, not just to weep. To feel a deep empathy, a sense of humanity, a tie to the small girl from the Polish ghetto, the skinny bridegroom from Berlin, the sophisticated matron from Budapest. Their photos, their stories--whether humble or dramatic--made history more than history. I was glad we went, despite my initial reluctance. I thought because I knew the history of the Holocaust, had read the books, seen the newsreels, visited sites in Germany and Hungary and Holland, there was no need to visit a museum composed mostly of text and photos. But there was. The building itself--a masterpiece of architecture matching function--gives you the feeling of crowding, of being herded, shuffling in the dark. Your senses, not just your intellect or emotions, get involved. It becomes visceral.

It inspired the Experience, and I hope some of the residual feelings it provided me will also stay with visitors. That, in its small virtual way, it will give a face (albeit partially fictionalized, as far as the African individuals are concerned--but fictionalized along accurate lines) to those who left Africa's shores. That it will give back some of their personalities, circumstances, even the landscapes of the past. Because these were people who came FROM someplace before they reached the United States and other diaspora points. They had families, they were bad-tempered, they were kind, they stole from the market, they created fabulous artworks, they were good cooks and bad laundresses--every possible combination one can think of. They were not faceless masses, but met their fate as we, with our many individual resources and weaknesses, might--or as many Iranians are doing right now.

Their lives didn't begin in the New World. And as such, they faced nearly insurmountable challenges of language, intolerance, strange foods and wicked expectations. Yet they managed, some even triumphing (see Olaudah Equiano upcoming talk below).

I sometimes think about little aspects of their lives. The woman who sadly realized her child could never have a naming ceremony because no one else around her spoke her language. The man who realized in horror his son could not be circumcised like all in his line had been--because there was no one with that expertise. The skilled herbalist who risked being called "witch." The expert warrior who would never again be allowed to touch a weapon. The drummer living under a law where drums were forbidden. The man who knew how to prevent smallpox by rubbing cowpox pus into an incision, because his cattle rearing people had done it for centuries, ridiculed by the ignorant around him. The pretty girl whose torso scarifications marked her as desirable receiving nothing but ridicule and mockery. The woman who wanted to teach her son to honor his ancestors, but could not--since the boy's father was also his owner and would never acknowledge paternity.

We know little about them because we skate away from the pain. Few popularly available sources except for Roots and Sankofa and Amistad have tried to give them a voice, though scholars find out more information day by day--Emory University, in conjunction with Harvard and several other institutions, has created an amazing database of all known ships, their ports, their slaves' origins and names if recorded. See it at: http://http//www.slavevoyages.org/tast/index.faces. As our knowledge of history is ever more tied to public entertainment (as our schools slip into quicksand), we need more novels, more films, more programs that examine the real and fascinating stories of those who wrested a life out of misery.

When building the Experience, I discussed the idea of shackles with Oliha. I didn't want to put them in--he felt I had to. I compromised, and stored them in an optional box on their own, rather than in each character's identity kit. I have never seen any visitors wear them, though Eladrienne Laval did, in character as the Kongo woman Nzinga, and blogged about it to great effect here: http://http//elinsl.blogspot.com/2009/06/remembering-middle-passage.html06/remembering-middle-passage.html
She shot this great photo of herself facing the Porte de Non Retour monument, which I take the liberty of reproducing here. It gave me chills that equaled my reactions to the most critical of photojournalist images. I talked over her article with Osuntomi Melendez, who said, "She echoed my own trepidation. I want to come and do it, but I find it unnerving to contemplate."

Cymindra Deschanel, a Saminaka resident, told me she found the Experience intensely moving. She went through it as Omo, the young Yoruba woman from Nigeria, but would like to go back again and experience the other characters, "just for deeper insight." Some visitors go to every packet, collecting not only the clothing, but the stories. A number of strangers have IMed me and their appreciation, despite the picking of the scab, means a lot. One commented that she had a rl ancestor who was on the first boat to Jamestown; his name, like Nzinga's, spoke to Central African ancestry.

I am going to gather the slide show into a Hippobook for Saminaka's bookstore. And I am going to think about the next experience, which I think may attract more avatars, for it lacks the tragic turn of the Middle Passage--the story of those who returned to Africa in the 19th century, to Liberia, to Sierra Leone, Nigeria and Benin Republic.
The Middle Passage Experience can be viewed through June 30. Do read the notecards in both the beginning and the ending boxes, even if you cannot walk the path of these giants, who had to make sense of the senseless world they were shoved into. We can all profit from their survival, as all of us here in the United States do, as do those in the many lands where their subsequent influence has reached.

My experience of the Experience recalled my reaction to a book title I read a few years ago--something along the lines of "How the Irish Conquered the World." I laughed aloud, for I'm mostly a Celt, and had heard plenty of tales of squelching, squashing and victimhood, in both the old days of the U.S. and the British Isles before that. But then I thought about it--the potato famine's dispersion of the Irish spread their culture (and genes!) around the world.

It applies to the Middle Passage, as well. The worst of incidents, the most heartless and inhuman behavior, the most devastating pain--all these can produce wonders and enormous impact.
Africa is conquering the world, too, though we may not yet realize just how completely its culture has spread and continues to affect and shape us. And as it does, it is those Middle Passage survivors who gaze at us from the world of the ancestors and smile. May we do as well as they in meeting what life metes out, and may they protect us from the worst of possible horrors.

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TAM'S MAKEOVER BY KIKO--BEFORE AND AFTER

Those eyes, those lips! The subtle facial contouring! For more made over pics and story, see below. All of Tamsin's hair by her favorite wigmaker, Mirai