
njoyed the opportunity to nudge ourselves back into creating, and to share the results (surprisingly good!) with each other. The meetings have been lots of fun as well, building camaraderie, and providing useful suggestions. Newspaper for Saminaka, our slice of the Bright Continent in Second Life!

njoyed the opportunity to nudge ourselves back into creating, and to share the results (surprisingly good!) with each other. The meetings have been lots of fun as well, building camaraderie, and providing useful suggestions. 



w buildings. I like my six tenants tremendously, and am proud they've chosen to like in Saminaka, even though they don't actually spend much time in their cramped quarters.
somehow locked all the doors--and because it wasn't mine, not much I could do! But I managed it.
costs back. Still, it is a kind of base, and I've grown affectionate towards it. It's "my place" and it's in an idyllic environment. And as I turn the heat on for the season and look out at the unpulled weeds on a vacant lot, or a building that needs to be pulled down, the idyllic home holds a beacon of warmth and welcome.
Jammin' with Spirit
Wow! Saminaka had a great African festival last week--masquerades, music, drums, dance, cultural attire and talks. We had a record part
icipation from our guests as well. I want to congratulate the new members of the African Mystics for embarking on their spiritual journey. Last but certainly not least, I'd like to congratulate and thank Tamsin for allowing all of this to take place. Go Tamsin! I gave a talk on African music and spirituality during the festival and launched the African Mystics group. The wonders and complexity of Nigeria are evident. Each one of the above activities has a major role in African mysticism.
In African mysticism, especially in Nigeria, inter-connectivity between various components of personal and communal expression is quite common. Some of the masquerade performers in the festival represented ancestral spirits and concepts that involve music, dance, and symbolic representation of moral codes. Others involved music, dance, and festivities.
The music and dance take the visual and aud
ible realms to such an ecstatic level that the spiritual realm merges with the physical. As the masquerades danced and moved about Saminaka to the tunes of African music--traditional to modern--the energy vibes rose and corresponded with the vibrational level of participation of our guests. In short, it took us to a realm that was a mix of physical excitement and spiritual joy.
After the talk on African music, there was an impromptu drum jam. There were several drummers, and dancers took part as w
ell. Many were dressed in African attire, but all were jamming to the sounds of Africa. We had djembe, xylophone, conga, horns, and other drums that played the beats specific to those instruments. The dancers floated freely on the dance floor, adding to the ephemeral experience. The dancers attenuated the drum beats, wiggling and jiggling to the melodic polyrhythms. The rhythms were often hypnotic, placing the drummer and dancer in a euphoric state and bond. There was no standing around or just watching the other avatars there--that kind of experience requires direct participation.
Later that night, DJs took over the course of the music. The DJs that spinned the jams at the festival were awesome! They played a mix of music that also brought out the spirit that resides in us. The dance area was full; t
he music, as well as the vibes, lifted everyone’s spirit. All the avatars looked like kings and queens in their traditional African attire. But it was also more than the attire that brought out the beauty. It was the spirit from the festival experience. The spirit evolved from the combination of drum, dance, masquerade, music and cultural attire. A communal spiritual participation. The spirit moves us to commune with the divine when all the ingredients are there!






earch through the sim for 20 of the fruits. They're all hidden near Nigerian plants, and pile up in your calabash as you find them. All located? Go back to base and touch the giant cantaloupe for a grand prize. All prizes transfer. Any that are gender-specific include both a male and female version. All prizes unique to the hunt, comprising clothing, furniture, art and other goods with an African plant theme. The starting point can be reached from teleporter via Saminaka's infohub tent, or at http://slurl.com/secondlife/Saminaka/93/66/30
ngoing indefinitely. Saminaka has a new exhibit about Nigerian plants. This slideshow features information and images of over fifty trees, plants and flowers, native and naturalized. Some of the information is surprising (Nigeria is the third largest supplier of peanuts in the world--outranks U.S.!), some is interesting (Nigerian henna use does not involve elaborate patterning). Enjoy finding out a rubber tree doesn't look at all exotic, soak up some beauty, and get some hints for the treasure hunt above! http://slurl.com/secondlife/Saminaka/96/65/30
Ongoing indefinitely. Saminaka's MIDDLE PASSAGE EXPERIENCE is up again, in an even more realistic environment! Treet.TV kindly hosted it for months, but London's Kingston University has now generously provided space for a permanent exhibition of the African side of the transatlantic slave trade. It isn't roleplay, but it does allow you to try on the lives of ten individuals from different eras and parts of Africa who were seized and taken to the U.S. See it here (and take the teleporter if you land at the university's hub):Ongoing, extended until Oct. 31.